Bluegrass on the Tube
The Internet's Bluegrass Video Search Engine

What A Wonderful Savior Is He
Carl Story

See the complete catalog of free
Bluegrass on the Tube videos
If you're already a subscriber, please share "Bluegrass on the Tube" with friends.


About the artist

Guitarist, fiddler, and vocalist Carl Story became known as "The Father of
Bluegrass Gospel Music" over his decades-long career. Though less well known

Bill Monroe, Ralph Stanley, and other bluegrass pioneers, he was present as the
genre took shape and was for many years a highly influential figure whose band
served as a training ground for many younger musicians.

Story was born to musically inclined parents who played for square dances, and
he learned both the fiddle and guitar when he was young. String band music
snared his attention when he was in his teens, and he was active on radio in
Lynchburg, VA, in the early '30s. Around 1935, Story and teenage banjoist
Johnnie Whisnant moved to Spartanburg, SC, to play in a band called the
Lonesome Mountaineers, which eventually spawned the Rambling Mountaineers.
The band performed on radio around the South until Story left to become a
fiddler for Bill Monroe & his Blue Grass Boys in 1942, replacing fiddler Howdy
Forrester after Forrester was drafted. In 1943, Story, too, was drafted into the
U.S. Navy.

Following his discharge, Story reassembled the Rambling Mountaineers with
Jack and Curley Shelton, Hoke Jenkins, and Claude Boone. The band's
membership changed over the years, and many members, such as Tater Tate
and Red Rector, went on to become important bluegrass figures. Story and his
group began recording both secular and gospel songs for the Mercury label in
1947, and remained with the label until 1952.

He moved to Columbia the following year and recorded over a dozen singles.
The pure bluegrass phase of his career, merging the "high lonesome" Monroe
sound with gospel harmony vocals and skilled picking from Story and his
sidemen, began with the band's signing to Starday in the late '50s. Over some
ten albums between then and the early '70s, Story tended almost exclusively
toward gospel. Such albums as 1963's Mighty Close to Heaven featured upbeat
material ("You Don't Love God [If You Don't Love Your Neighbor]") mixed with
numbers that employed the poetic qualities of bluegrass songwriting in the
service of intense professions of faith (the title track, in which Story sings that he
came "mighty close to heaven with my tears").

Story and his band became fixtures on the bluegrass festival circuit, and he
toured consistently even after he entered semi-retirement in Greer, SC, outside
of Greenville, where he worked as a disc jockey. His funeral in 1995 was
attended by bluegrass royalty, from Bill Monroe on down. ~ Sandra Brennan &
James Manheim, All Music Guide