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Won't Be Worried Long
J.E. Mainer's Mountaineers










































































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About the video

J.E. Mainer's Mountaineers performing "Won't Be Worried Long"


About the artist

Mainer's Mountaineers, with their leader J.E. Mainer on fiddle, were one of the
most popular string bands of the 1930s. They formed an important link between
old-time string music and bluegrass, and their musical life exemplified several
important aspects of the musical culture of the mountain southeast: the
importance of the brother duet, the early link between country music and radio
advertising, and the prevalence of turn-of-the-century sentimental song in the
repertories of 1930s musicians.

Mainer was born in Buncombe County, NC, and was raised in the mountains. His
first instrument was the banjo, which he played at local square dances. Mainer's
music, like that of other southeastern performers, offered an alternative to
working in North Carolina's hellish textile mills; Mainer left home for mill work in
his mid-teens, landing first in Knoxville, TN, and then in Concord, NC, where he
moved in 1922 and lived for the rest of his life. At one point, having turned his
banjo over to his brother Wade temporarily, he sold some agricultural seed on
commission and drew his pay in the form of a tin fiddle. After he mastered the
showpiece "John Henry," he invested in a better instrument. Soon he and Wade
had joined with other local musicians to form a band. Mainer's appetite for
performing was whetted when he started winning top prizes at fiddle contests.


By the early '30s, the commercial potential of country music on radio had been
amply demonstrated, and Charlotte's Crazy Water Crystals Company (a
purveyor of bottled water containing mineral salts of dubious medical value)
offered Mainer's Mountaineers a series of promotional appearances and a slot
on Charlotte's powerful WBT radio station. The group, now featuring John Love
and Zeke Morris on guitars, was re-christened the Crazy Mountaineers and
remained on WBT for four years. The fame they attained interested record
companies in turn, and the group recorded its first sides for the Bluebird label in
Atlanta in 1935.


One of the 14 songs recorded at that session was "Maple on the Hill," a
turn-of-the-century sentimental standard originally composed by the
African-American Cincinnati janitor-composer Gussie Davis. The song had been
introduced to country audiences by both Vernon Dalhart and the Carter Family,
but the mournful warmth of J.E.'s fiddle and Wade's banjo made it a country
standard. In 1936, Wade and Zeke Morris left to form the Sons of the
Mountaineers, while J.E. and his new lineup, consisting of Snuffy Jenkins,
George Morris, and Leonard Stokes, spent over a year playing on radio stations
in Spartanburg and Columbia. In 1939, with new musicians once again, Mainer
recorded once more for Bluebird with Clyde Moody and Jay Hugh Hall. After
World War II, Mainer became one of the first artists signed to the independent
Cincinnati label King and made recordings with a band featuring his sons Curly
and Glenn. New musical trends were in the air by then, however, and Mainer
returned home to Concord. For the next 15 years he made mostly local
appearances.


The Mountaineers were rediscovered during the folk revival in 1962 by Chris
Strachwitz of the California-based Arhoolie label. At that time, Mainer's
Mountaineers recorded The Legendary Family From the Blue Ridge Mountains,
which introduced Mainer's music to a whole new generation. King reissued some
of the Mountaineers recordings (such as Good Ole Mountain Music) in the early
'60s, and over the course of that decade Mainer recorded several more albums
and made appearances on the radio and at festivals. He continued to perform
until his death in 1971. ~ James Manheim, All Music Guide